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Animation

15 Aug 2018 journal

Creative Lives
Well-timed emails and helicopter photoshoots: Associate creative director Mark Lee’s road to Uniform
14 Aug 2018 journal

Creative Lives
Doing your best “even in the tiniest of tasks” with Uniform motion designer, Beatriz Diogo
07 Aug 2018 journal

First Hand
Animator Katy Wang’s rules for overcoming creative anxiety
02 Aug 2018 journal

Parts of the Process
How Toaster developed a Progressive Web App for the Natural History Museum, inspiring kids to get outside
26 Jul 2018 feed

Long Read
Do animators really need to go to art school?
24 Jul 2018 feed

Interview
‘Maquia’ director Mari Okada on the challenges of being a first-time animation director
23 Jul 2018 feed

Interview
Emo-gee, that’s a cool job. Meet the woman who designs Google’s emoji
20 Jul 2018 feed

Long Read
Animating the future: Walt Disney's vision for tomorrow
19 Jul 2018 watch

Talk
Nicer Tuesdays: Nicos Livesey on creating football’s Bayeux Tapestry
17 Jul 2018 feed

Interview
How did they actually animate the ‘Hotel Transylvania 3’ characters?
11 Jul 2018 journal

Creative Lives
Be open to career curveballs: VFX producer at Outpost, Fay Hancocks
10 Jul 2018 journal

Creative Lives
Character designer Dan Kelby on mastering time management and avoiding burn-out
02 Jul 2018 feed

Long Read
‘Who Framed Roger Rabbit’ Hits 30: A look back at ILM’s astonishing old-school optical VFX
29 Jun 2018 feed

Advice
Tips for making a story portfolio for feature and TV animation
28 Jun 2018 feed

Long Read
Why Lisa Simpson matters
26 Jun 2018 journal

Parts of the Process
Charting the production process behind Animade’s eight-minute film for WeTransfer
20 Jun 2018 feed

Advice
Four things that animation studios can do to create a culture of belonging
14 Jun 2018 journal

Parts of the Process
Behind the scenes of Studio Crême’s 3D scanning process for menswear label Heresy
13 Jun 2018 feed

Interview
‘The Triplets of Belleville’ 15th Anniversary: 7 insights into the making of a contemporary classic
07 Jun 2018 journal

Creative Lives Podcast
Watch the credits: We meet Cartoon Network storyboard artist Oliver Hamilton

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Animation

Well-timed emails and helicopter photoshoots: Associate creative director Mark Lee’s road to Uniform

Doing your best “even in the tiniest of tasks” with Uniform motion designer, Beatriz Diogo

Animator Katy Wang’s rules for overcoming creative anxiety

How Toaster developed a Progressive Web App for the Natural History Museum, inspiring kids to get outside

Do animators really need to go to art school?

‘Maquia’ director Mari Okada on the challenges of being a first-time animation director

Emo-gee, that’s a cool job. Meet the woman who designs Google’s emoji

Animating the future: Walt Disney's vision for tomorrow

Nicer Tuesdays: Nicos Livesey on creating football’s Bayeux Tapestry

How did they actually animate the ‘Hotel Transylvania 3’ characters?

Be open to career curveballs: VFX producer at Outpost, Fay Hancocks

Character designer Dan Kelby on mastering time management and avoiding burn-out

‘Who Framed Roger Rabbit’ Hits 30: A look back at ILM’s astonishing old-school optical VFX

Tips for making a story portfolio for feature and TV animation

Why Lisa Simpson matters

Charting the production process behind Animade’s eight-minute film for WeTransfer

Four things that animation studios can do to create a culture of belonging

Behind the scenes of Studio Crême’s 3D scanning process for menswear label Heresy

‘The Triplets of Belleville’ 15th Anniversary: 7 insights into the making of a contemporary classic

Watch the credits: We meet Cartoon Network storyboard artist Oliver Hamilton

Advice, insight and inspiration for the next generation of creatives

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