Companies

Name: Lecture In Progress
Address: 21 Downham Rd, London N1 5AA, Haggerston, London, N1 5AA, UK
Telephone: +44 20 7739 5222

The New York Times

15 Apr 2020 journal

Parts of the Process
How to photograph Larry David, while quarantined, through a window
16 Mar 2020 journal

Creative Lives
Illustrator Joe O’Donnell on riding the freelance wave and creating “bold, clunky digital illustrations”
05 Nov 2019 journal

Creative Lives
Caitlin Clancy on how a curiosity for visual culture led her to work for The New York Times
21 Jun 2019 feed

Advice
How to overcome imposter syndrome
11 Feb 2019 journal

Creative Lives
Breaking out of the ‘art school frame of mind’ with Glasgow-based illustrator, Fran Caballero
07 Jan 2019 journal

Creative Lives
Doug John Miller discusses finding illustration through architecture
28 Aug 2018 journal

Creative Lives
London-based digital designer Joe Mortell on working for the New York Times
20 Jun 2018 feed

Process
How Snapchat makes mini movies in augmented reality
18 Jun 2018 journal

Creative Lives
“This job has infinite potential”: We meet Brighton-based illustrator Nishant Choksi
18 Apr 2018 feed

Long Read
The Times, a comic strip, a Pulitzer Prize
23 Mar 2018 feed

Long Read
OFFSET 2018: Gail Bilcher on creating the NY Times Magazine’s brilliant covers
07 Mar 2018 journal

Creative Lives
Talent, perseverance and luck: R Fresson on the art of freelance illustration
04 Feb 2018 feed

Interview
How The New York Times gave itself an irreverent overhaul to entice the next generation of readers
25 Jul 2017 journal

Creative Lives
We talk starting out, post-graduation life and heart-stopping emails with artist and illustrator Rose Blake
21 Jun 2017 feed

Process
The evolution of The New York Times nameplate – an identity rooted in ancient lettering
13 Jun 2017 journal

Creative Lives
Photographer Mathieu Willcocks on documenting sea rescues, staying driven and dealing with isolation
30 May 2017 journal

Parts of the Process
The dream brief: photographer Nick Ballon captures Italian leather producers for Maharam
20 Mar 2017 journal

In the Studio With
London animation studio Moth discuss their heartfelt approach and generating an atmosphere that “feels like home”

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Companies

The New York Times

How to photograph Larry David, while quarantined, through a window

Illustrator Joe O’Donnell on riding the freelance wave and creating “bold, clunky digital illustrations”

Caitlin Clancy on how a curiosity for visual culture led her to work for The New York Times

How to overcome imposter syndrome

Breaking out of the ‘art school frame of mind’ with Glasgow-based illustrator, Fran Caballero

Doug John Miller discusses finding illustration through architecture

London-based digital designer Joe Mortell on working for the New York Times

How Snapchat makes mini movies in augmented reality

“This job has infinite potential”: We meet Brighton-based illustrator Nishant Choksi

The Times, a comic strip, a Pulitzer Prize

OFFSET 2018: Gail Bilcher on creating the NY Times Magazine’s brilliant covers

Talent, perseverance and luck: R Fresson on the art of freelance illustration

How The New York Times gave itself an irreverent overhaul to entice the next generation of readers

We talk starting out, post-graduation life and heart-stopping emails with artist and illustrator Rose Blake

The evolution of The New York Times nameplate – an identity rooted in ancient lettering

Photographer Mathieu Willcocks on documenting sea rescues, staying driven and dealing with isolation

The dream brief: photographer Nick Ballon captures Italian leather producers for Maharam

London animation studio Moth discuss their heartfelt approach and generating an atmosphere that “feels like home”

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